APRIL FREDRICK

'...a real soprano, her tone is beautifully placed..'
Christopher Morley

About April

April is a soprano with a passion for nuance and text which gets to the heart of both music and character. Equally at home on the opera stage, concert hall and recording studio, April has recently premiered the title role of John Joubert’s opera Jane Eyre in a live concert recording (due for release on SOMM Recordings in March 2017).
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Featured Review

‘An unusually charismatic performer, engaging herself emotionally from the first bar; I was mesmerised by the power of her voice, her control and her communication of musical passion. She had me on the edge of my seat and in tears’. Susan Elkin Reviews, February 2019

The New Album

‘Alan Charlton presided over these recordings before his untimely death, aged 47, last year. His innovative musical artistry comes through in heartfelt and energetic performances’
Michael Beek

BBC Music Magazine

Charlton’s vivid and imaginative cycle of Shelley’s epic poem The Cloud is brought to life by April Fredrick and William Vann in recordings done with the composer in the engineering booth.

Blooming Where You’re Planted: Becoming Red Lotus

Since May, I have been involved in an extraordinary project: Monk and Lotus, a new opera mingling...

‘The River’: Improvisation and Sounding Reality

Four Drums and One Stage On Sunday, I went to an improvisation gig by a jazz quartet at a venue in...

Smelly Shoes and Redemption

Today was a bit of a triumph, a laying to rest of old ghosts. For the first time in my memory, I...

Suchet, Swingouts and Semiquavers

Tuesday was a day of contrasts not as great as they initially appeared. First that evening, I went...

Death and the Semitone

‘For we shall be hereafter as though we had never been’. Cheery thoughts from Solomon, he of the...

Afterglow of a Instant Classic

‘Music, when soft voices die…vibrates in the memory’ (Percy Shelley) Two days after the recording...

Role as Relationship

Geography Learning a role is a bit like beginning a relationship. First comes the general...

Lines in the Sand

Having just prepared a large chunk of Ilia from Mozart’s Idomeno with the lovely Kensington...

The Balance of Furious Opposites: Dialectic in Jane Eyre

dialectic   noun  di·a·lec·tic \ˌdī-ə-ˈlek-tik\ 1:     philosophy: a method of examining and...

And So, Dear Reader

I begin, or rather continue, a relationship begun many years ago. Jane, who is not beautiful but...

Concert Diary

4 January, 2025 english Symphony Orchestra, cheltenham

 

Johann Strauss II,Mein Herr Marquis’, Die Fledermaus

Johann Strauss II, ‘Saffi’s Song’, The Gypsy Baron

Anton Dvořák, ‘Song to the Moon’, Rusalka

English Symphony Orchestra

Kenneth Woods, conductor

Pittville Pump Rooms, Cheltenham

April returns to the Regency gem of the Pitville Pump Rooms for a New Year’s programme welcoming a year of discovery, dreams, and the endless enchantment of the symphonic world.

1 February: Echoes of jenny lind, huntingdon Hall, worcester

Echoes of Lind

Thomas Humphreys, baritone

Robert Bottriell, piano

Huntingdon Hall, Worcester

April Fredrick as Jenny Lind and Thomas Humphreys as Giovanni Belletti in a modern recreation and homage to legendary Swedish soprano Jenny Lind’s 1849 visit to Worcester, with musicians from the ESO, the Avonbank Brass Band, Severn Voices and Elgar School of Music. Put on by Hatpin Productions CIC.

23 February: Strauss four last songs, west forest sinfonia, reading

Richard Strauss Four Last Songs

Gustav Mahler Symphony no. 4

West Forest Sinfonia

Philip Ellis, conductor

Great Hall, University of Reading

April embarks on another pilgrimage to these beloved ‘old friends’ in her repertoire, exploring the great questions of what it means to end a life well-lived, whether long or short.

22 march: howells hymnus paradisi, nottingham harmonic choir, nottingham

April Fredrick, soprano

Christopher Turner, tenor

Nottingham Harmonic Choir

Richard Laing, conductor

Orchestra da Camera

 Albert Hall, Nottingham

April’s first performance of the monumental Hymnus Paradisi by Herbert Howells, one of the pinnacles of the choral repertoire but only rarely performed. There can be few works as dramatic and heartfelt; any performance of this overwhelming work is a special occasion.

29 March: J.S bach st john passion, condensed and dramatised, sevenoaks

J.S. Bach St John Passion

April Fredrick, soprano

Heidi Jost, mezzo

Lawrence Olsworth-Peter

Jon de Garis, baritone

Dei Gratia Baroque

St Nick’s, Sevenoaks

Dei Gratia Baroque returns to its innovative condensed and dramatised presentation of J.S. Bach’s beloved work, presenting its dramatic and theological core to a new generation and audience.

5 April: J.S bach st john passion, cut and dramatised

Haydn Nelson Mass

April Fredrick, soprano

Angelina Dorlin-Barlow, contralto

Benjamin Durrant, tenor

Ed Grint, bass

 

Wimbledon Choral Society

City of London Sinfonia

Daniel Mahoney, conductor

Cadogan Hall

 

April returns to Haydn’s wonderful Nelson Mass, plumbing the heights and depths of human experience through the lens of the ancient Christian service.

27 May: Elgar Festival young singers masterclass, the firs, worcester

6 young singers will be selected by audition to work with April Fredrick and Festival Composer-in-Residence Ian Venables, with accompanists Elizabeth Haughan and Rebecca Watson, on English Song repertoire of their choice. The morning session involves individual coaching, feedback and advice, and after lunch all 6 students will perform in a more formal concert setting.

30 May: Elgar Festival recital with eric mcelroy, worcester
Eric McElroy, piano
Huntingdon Hall
April and Eric join for another vibrant recital of English song by Elgar, Ian Venables, Lennox Berkeley and Eric McElroy’s searing cycle of Robert Graves poems. 
17/18 September: arthur bliss society recital, cambridge

April Fredrick, soprano

Eric McElroy, piano

Pembroke College, Cambridge

April and Eric perform songs by Arthus Bliss (including Simples (The Joyce Book) ,The Hare (from Three Romantic Songs), Autumn (from Ballad of the Four Seasons), Lovelocks (from Three Romantic Songs), The Fallow Deer at the Lonely House, A Child’s Prayer, Fair is My Love (from Serenade) to mark the 50th anniversary of the composer’s death on 27 March 1975.

27 September: Strauss songs with surrey mozart players, guildford

Richard Strauss

 

Cäcillie Op.27 No.2 

Traum durch die Dämmerung Op 29 No.1 (Orch Heger) 

Morgen! Op.27 No.4

Amor Brentano No.5

 

April Fredrick, soprano

Surrey Mozart Players

Philip Ellis, conductor

 

Holy Trinity Church, Guildford

 

April joins the Surrey Mozart Players for a collection of Strauss orchestral songs that shimmers, dazzles and savours its way through all the seasons of love. 

8 October: mahler symphony 8 (magna peccatrix), bach choir, st paul's cathedral

‘April Fredrick, soprano

Bach Choir

Philharmonia Orchestra

David Hill, conductor

St Paul’s Cathedral

April sings her first performance of Mahler’s monumental Symphony no. 8 in the role of ‘Magna Peccatrix’, its massive forces and themes echoing the grandeur of St Paul’s.

Featured Review

‘a voice of such clarity and purity that it could almost move the stones itself’

Hereford Times, December 2019

Featured Review

‘A voice of such clarity and purity that it could almost move the stones itself’

Hereford Times, December 2019